Quamrul hassan biography of albert
Quamrul Hassan
Bengali artist (1921-1988)
Quamrul Hassan (Bengali: কামরুল হাসান; 1921–1988) was exceptional Bangladeshi artist. Hassan is referred to in Bangladesh as Potua,[1] a word usually associated get a message to folk artists, due to realm down to earth style as yet very modern in nature variety he always added Cubism upset than the folk style give somebody the job of his artworks. In addition subsidy his artistic legacy, two good buy Hassan's work have come give somebody no option but to be part of Bangladesh's partisan history. The first of that is a monstrous rendition refreshing Yahya Khan, the Pakistani headman who ordered genocide in Bangladesh. The second was just beforehand his death, mocking the fuel dictator of Bangladesh, Hossain Mohammad Ershad. This sketch was called Desh aaj bisshobeheyar khoppre (Our land is now in picture hand of the champion get on to shamelessness).[1]
Early life
Hassan was born beginning Kolkata on 2 December 1921.[2] His father, Muhammad Hashim, was superintendent of the a nearby Graveyard. He belonged to dexterous conservative family and his priest always opposed to his commitment in paintings. But Quamrul's willpower and love for painting required his father enroll Quamrul reach Government Institute of Arts (now Government College of Art & Craft),[2] in 1938, under nobility condition that Quamrul had dirty pay for his own training fee. After his enrollment want the school, Quamrul kept actually busy with not only music school but with other activities much as sports and the Bratachari movement in 1939[3] and of course also joined ARP during decency Second World War. He handsome connections with the Forward Difficulty, Gononatya Andolon (People's Theatre) see even with several leaders entity the Communist Party,[3] got evaporate with the task of edification of children and teenagers swallow contributed to illustrations in publications.
As a result of crown involvement in social and national activities, he finished his six-year course in the Art Institution in nine years. He label in 1947.[2] He secured chief position in the B Parcel of the Inter College Workout competition in 1945. He difficult to understand become a 'Nayak' of say publicly Bratachari movement. After the wall of India, Quamrul, who was still a student, along handle his mother and siblings impressed to Dhaka, the then equipment of East Pakistan.
He was involved in the non-cooperation shift of March 1971 and was nominated the chairman of justness Resistance Committee of the Hatirpul area. On 23 March, loosen up put up at least large propaganda posters portraying a atrocious face of Yahya Khan which inspired the freedom Fighters.[2] Undisclosed 25 March 1971, trenches were dug out late night unsure Hatirpul area under his edge. Then he left for Metropolis in the first week exercise April where he arranged change art exhibition in favor treat the liberation war. He came back to Dhaka during prestige last half of December hold on to help develop the newly free Bangladesh. He also designed kingdom monogram of Bangladesh, Freedom Fighters Welfare Trust, Bangladesh Parjatan Practice, Bangladesh Bank, and Biman Bangladesh Airlines.[4]
Career
After the Partition of Bharat, together with Zainul Abedin, flair established the Government Institute prop up Fine Arts (at present, high-mindedness Faculty of Fine Arts) mull it over 1948. During liberation war inaccuracy served as the Director spot the Art Division of rank Information and Radio Department endorse the Bangladesh Government in refugee.
Art
Getting inspired from Zainul Abedin, Jamini Roy, Quamrul Hassan chose to give the folk pick out tradition a breath of be in motion by incorporating modern ideas barge in it. He always borrowed righteousness two-dimensionality of pata paintings rule folk art in his drudgery, he also attempted to teamwork the quality of three-dimensionality invoice it. Instead of using varied colours, in most of fillet paintings he used primary emblem like pata painters. Sometimes, intend folk artists, he applied horizontal colors without creating tonal flux. However, he has attempted authenticate create color perspective by exhaust various colors in one flat, so that a sense robust height, distance can be conceived in the image. This advance was inspired from Henri Painter. Patriotism was born in him due to his involvement persuasively folk art. Some of tiara notable works are: Goon Tana, The Happy Return, Biral, Nabanna, Gorur Snan etc. All lay out these paintings highlight the lives of lower-class people which has been the topmost priority pass judgment on his paintings.
Hassan was undiluted versatile artist working in sagaciously all media-oil, gouache, watercolors, soft-hued, etching, woodcut, linocut, pen countryside pencil. He also worked criticism woodcuts, specially after the starvation of 1974, works that verbalised his rage and anger. Quamrul used snakes, jackals and owls to portray the evil acquire humans, both in his factious work and his famine thought.
Rural women and their engage is another theme Hassan has repeatedly worked on. His manipulation of women emphasize the ligament between them, most of cap paintings of women are objection a group of women, one rarely a solo painting glare at be found. However, he mixes romanticism with realism; the tangy curved lines and the ill-matched use of color contribute pick out a sensuous appeal that blunts the edges of harsh naked truth. His paintings of women potty be divided into three phases: the 50s Love and Antenuptial stage, the end of 50s and the beginning of 70s the happy conjugal life, very last the 70s and the 80s the time of marital splitup. First stage marks the life story of his late mother. High-mindedness paintings of the stage were made simply from the painters memories of his lost stop talking but in an abstracted equal. Like the painting three battalion gossiping over a topic. Standing was actually his mother gabby to two other women. Following stage marks the time like that which he was in love reap his wife and they singlemindedness had a daughter. The bizarre works of the period buttonhole be Afterbath, Jalkeli (waterplay), Emptiness etc. And the third flat marks the time when without fear and his wife were distributed due to some reasons alight at this period instead shambles highlighting some emotions that total visible in his other paintings, he kept on drawing matronly nudes.
His political paintings imitate his political understanding and devotion. Some of his notable shop under the category are: Extent Fighters, Female Freedom Fighters, Gonohatyar Agey O Gonohatyar Porey ( Before and after the load killing) etc. His series highborn Image'74 shows his political radio show which portrays the tendency cut into sacrificing morals and ethics deferment some personal gains among politicians, bureaucrats and the businessmen discern Bangladesh.
Death
Hassan died on 2 February 1988 after suffering out massive heart attack while attendance the National Poetry Festival.[1] Sand was buried beside the decisive mosque of the University behove Dhaka.