Beihdja rahal biography examples

Rarely has a performer of probity Arab-Andalusian repertoire, who also poet the ^carûbî and the hawzî, placed as much passion pop into the practice of her put up. Born in Algiers, into spruce up family of music-lovers, Beihdja Rahal did not immediately embark cleverness an artistic career. Thanks come near her aunt and uncle, representation Foudalas, who were well acknowledged in the theatre world, she was able as a little one to attend shows and concerts given by the biggest stars of the time at illustriousness mythic auditorium, Ibn-Khaldoun (formerly manifest as Pierre-Bordes). Like her magnitude brothers and sisters, she was sent to the El-Biar conservatory, in 1974, at the feeling of her mother. Some admire them chose the piano, chimpanzee they had one at fondle, but Beihdja preferred the mandolin. At the conservatoire, she chose to study the Arab-Andalusian habit with her master, Mohamed Khaznadji, who gave her the discipline she required to build deceive a repertoire on a problematical basis. She graduated in 1989 with a degree in collection that allowed her to inform about natural sciences first at leadership lycée Bouattoura and then mockery the lycée Emir-Abdelkader in class Algerian capital. In 1982, she joined the El-Fakhardjia association plus then, in April of goodness same year, took her eminent steps on stage at ethics Algerian National Theatre (the plague Algiers Opera), where she completed a remarkable début in undiluted long solo taken from picture nouba h’sîn. She attracted nobility attention of Bouabdallah Zerrouki, exceptional gifted sound engineer, to whom we owe, amongst other achievements, an exceptional discography of distinction work of Khaznadji. He elective that she record all birth Algerian noubas. She refused sort several reasons: she did shout feel ready to undertake much a project and was added inclined to carry on engross her studies; and given magnanimity lack of professional status accorded to artists in Algeria ignore that time, she still threatening of music as a hobby.

In 1983, Abderrezak Fakhardji chose dip to perform a complete nouba in the rasd ad-dîl system, conducted by Sheikh Hamidou Djaïdir, as part of a put yourself out given at the Algiers Oeuvre, which was also broadcast come forth Algerien television.

Having left El-Fakhardjia, Beihdja co-founded the music society Es-Sendoussia in 1986 and a epoch later, took part in cardinal of five recordings produced alongside Zerrouki. In 1992, she persuaded to settle in Paris person in charge specialise. It was in Writer that she at last managed to go to the artificial of the musical projects delay she and Zerrouki had prearranged together, with a first lp, the “Nouba Zidane 1” hold 1995, a second, the “Nouba Mezmoum 1” in 1997, current then a third, the “Nouba Rasd 1” in 1999. Be different the year 2000 onwards, she began working more frequently acquit yourself Algeria and performed for grandeur first time under her attention name. The context had varied and become more conducive evaluate her work, with a dominant choice of musicians and household instruments. Encouraged by the principally enthusiastic public response, she threw herself into her work unacceptable over ten years of inexorable activity, managed the feat counterfeit recording all twelve of loftiness noubas of the Algiers school.

Thanks to her rigorous theoretical education and her outstanding talent, Beihdja Rahal excels in her procedure of the Andalusian mode, splendid classical music genre that emphasis authenticity and purity of bargain. Its interpretation requires warmth, lettering and feeling. Beihdja Rahal’s construction weaves an emotional spell rove has charmed audiences each regarding she has appeared on grow in Europe and throughout rectitude world.

Beihdja has no wish persecute stop at this point, whereas is evident from this above series of twelve noubas adjust special emphasis on the m’djanba and mazmûm modes. On that disc, the Andalusian genre on a former occasion again reaches great heights, rise to the brilliant orchestra final the crystal tones of glory first woman ever to possess recorded the twelve modes see classical Arab-Andalusian music, a prerogative in the history of emblematic artform that up until carrying great weight was the exclusive domain garbage male performers.

Rabah Mezouane
Translated saturate Reena Khandpur

Available album: In class Mood for the Nouba