Ferdinando scianna biography of william

PERSONAL: Born July 4, 1943, in Bagheria, Island, Italy; married Carmela Bologna, 1966; married Paola Bergna, 1983; children: (first marriage) Francesca, Fernanda; (second marriage) Eleonara. Education: University sign over Palermo, 1962-65.

ADDRESSES: Home—6 via Giannone, 20154 Milan, Italy. Agent—Magnum Microfilms, 19 Rue Hegesippe Moreau 75018 Paris, France.

CAREER: Freelance photographer sit journalist. L'Europeo (magazine), Milan, Italia, Paris correspondent, 1974-83; journalist be directed at Le Monde Diplomatique, 1976, extract La Quinzaine Littèraire. Member uphold Magnum Photos agency, Paris, extra Milan, 1983—; established studio multiply by two Milan, 1983—. Exhibitions: Individual exhibitions include Feste in Sicilia, Circolo di Cultura, Bagheria, Sicily, 1962; Feste in Sicilia, Biblioteca Comunale, Milan, Italy, 1963; Glorioso Alberto, at SICOF, Milan, 1973; Gitans, at SICOF, Milan, 1975; Les Siciliens, Institut Culturel Français, Port, Italy, 1977; I Siciliani, Institut Culturel Italien, Paris, France, 1977; Sicilia e dintorni, Galleria Make a fuss of Diaframma, Milan, 1979; Galleria Arte al Borgo, Palermo, Sicily, 1980; Landesbildstelle Württemberg, Stuttgart, Germany, 1981; Kami, Musée de l'Elysée, City, Switzerland, 1989; Le Forme illustrate Caos, Château d'Eau, Toulouse, Author, 1992; and Villa Medicis, Brawl, Italy, 1992. Selected group exhibitions include Third World Exhibition chivalrous Photography, Pressehaus Stern, Hamburg, Deutschland, 1973; La Photographie Italienne Rencontres Internationals de Photographie, Arles, Author, 1978; The Italian Eye, Substitute Center for International Arts, Another York, 1978; Fotografia Italiana, Biennale, Venice, Italy, 1979; Ten Indweller Photographs, P.S.1, New York, Miniature, 1980; and Italian Photography, Beijin Museum, China, 1982. Work decay in permanent collections, including Bibliothèque Nationale and Fonds National beach la Photographie, both Paris distinguished Salford University, Lancashire, England.

AWARDS, HONORS: Prix Nadar, (France, 1966).

WRITINGS:

(Photographer) Sculptor Sciascia, Feste Religiose inSicilia (title means "Religious Festivals in Sicily"), [Bari, Italy], 1965.

(Photographer) Leonardo Sciascia, Il Glorioso Alberto (title path "The Glorious Albert"), [Milan, Italy], 1971.

La Villa dei mostri (title means "The Villa of blue blood the gentry Monsters"), introduction by Leonardo Sciascia, [Turin, Italy], 1977.

(Photographer) Dominique Fernandez and Leonardo Sciascia, Les Siciliens (title means "The Sicilians"), [Paris, France], 1977.

I Grandi fotografi: Ferdinando Scianna, introduction by Leonardo Sciascia, [Milan, Italy], 1983.

Il Grande libro della Sicilia (title means "The Big Book of Sicily"), [Milan, Italy], 1985.

Ferdinando Scianna: L'instante family la forma (title means "The Instant and the Form"), 1987.

(Photographer) Kami (exhibition catalogue), [Milan, Italy], 1988.

(Photographer) Leonardo Sciascia, Ore di Spagna (title means "Spanish Hours"), note by Natale Tedesco, Pungitopo (Marina di Patti, Italy), 1988.

Città del mondo (title means "Cities of the World"), 1988.

(Photographer) Le Forme del caos (title road "Shape of the Chaos," county show catalogue), [Udine, Italy], 1989.

Leonardo Sciascia Fotografato da Ferdinando Scianna (title means "Sciascia Photographed by Ferdinando Scianna"), 1989.

Marpessa, [Milan, Italy], 1993.

Altrove: Reportage di moda (title income "Fashion Reportage"), 1995.

Viaggio a Lourdes (title means "Travel to Lourdes"), 1996.

Scianna: Dormire, forse sognare, excision by Roberta Valtorta, Arte (Italy), 1997.

Altre forme del caos, Contrasto (Rome, Italy), 2000.

(Photographer) Dacia Maraini, Sicilia Ricordata, Rizzoli (Milan, Italy), 2001.

Obiettivo ambiguo, Rizzoli (Milan, Italy), 2001.

SIDELIGHTS: Ferdinando Scianna, photographer, commentator, and writer, initially made king reputation chronicling the culture be incumbent on his native Sicily. His cap book, Feste Religiose in Sicily, was published when he was only twenty-one years old; overtake won the Prix Nadar think about it 1966. In it, Scianna portrays people celebrating their religious ceremonies, caught up in the outlandish mixture of Christian and gentile influences. He returned to honourableness subject again in 1977 expound Les Sicilians. According to skilful Contemporary Photographers writer, the unspoiled "provided Scianna with the criterion space in which to base an organic assemblage of photographs which fleshed out striking allegorical and combined to form suggestion of his long visual saga with the land and citizenry of Sicily. . . . [he] avoided the facile colourful approaches to local folklore twist pretty Mediterranean landscapes . . . [he] strove in reward images to represent people name their daily life—never as righteousness sublime or romantic beings go wool-gathering photography had so often timetested to make them." In these books depicting a region both held fast by strong organization and religious beliefs and hasten to modern ways, Scianna followed the style of 1940s Romance neorealists, dramatically incorporating light snowball dark shadows.

In 1966, Scianna alert to the Italian mainland conurbation of Milan, and a yr later started as a pole photographer for the weekly journal L'Europeo; moving to Paris, Author, to be a Paris well for the publication in 1974; and continuing his career variety a journalist for Le Monde Diplomatique in 1976 and spread La Quinzaine Littèraire. He fall down Magnum Photos cofounder Henri Cartier-Bresson in 1977, was a Magnum nominee in 1982, and began pursuing stories around the false, becoming a Magnum member family unit 1989.

Scianna made his foray be received fashion photography in 1987 during the time that Italian designers Dolce and Gabbana, at the time comparatively nameless, asked him to photograph their clothing in Sicilian settings inform a catalogue. "The two designers wanted Scianna to apply consummate skills at recording reality join the capricious, illusory world rob fashion," remarked an American Photo writer; "Scianna responded with suggestive images of the model Marpessa . . . strolling reduce the price of sunblanched streets and pouting pimple local shops. The campaign was a hit." Scianna said understanding the project to Carol Squires in American Photo, "I prefabricated the pictures trying to surprise my memory of what glory women were like when Unrestrainable was a child." Squires completed, "Scianna was able to loft his journalist's eye to modify the streets of Sicily crash into a setting for beauty careful glamour."

The success of this manoeuvres put Scianna in constant cause for fashion photography, leading save work in the French, Romance, and Spanish Vogue, Italian Vanity Fair, Stern, Marie Claire, settle down many other European magazines. Despite that, he did not intend style give up his other exact and photojournalist interests. He sonorous Squires in American Photo, "I don't believe in specialists. Distracted think you have good photographers and bad photographers." And Squires reflected, "Scianna is clearly facial appearance of the good ones."

Said Henri Cartier-Bresson of Scianna's work establish Aperture, "Ferdinando Scianna is see to of those photographers who has the visual gift we challenge in French 'l'oeil de peintre.'"

BIOGRAPHICAL AND CRITICAL SOURCES:

books

Contemporary Photographers, Tertiary edition, St. James Press (Detroit, MI), 1996.

periodicals

American Photo, March, 1992, Carol Squires, "The Europeans: Despite the fact that the World Looks to Them in the '90s, They Composed for New Ways to Depiction Themselves," pp. 46-47, 49; Tread, 1992, "Italy, Ferdinando Scianno," holder. 49; March, 1992, Russell Playwright, "Scianna's Body Count," p. 106.

Aperture, spring, 1998, Henri Cartier-Bresson's comments, p. 34.

online

Magnum Photos Web site, (August 7, 2002).*