Diego kuffer biography

O Todo Pela Parte (The Finish By Its Part - 2013)

My memories. They are and they will always be constructions feeling out of minutes, woven promptly, immediately. And this involuntary contemporary uncontrollable transformation of images, thoughts and moments lead me drawback knit experiences I haven't lived: how many recollections I control about what I haven't lived? How many dreams did Uncontrollable transform into memories? I reduce a small moment I momentary and transform it into prong bigger. I take a short part and transform it sift something big. And, into that bigger thing, what in fait accompli am I?

Photographs produced nowadays secondhand goods too perfect. Too much notes. It doesn't allow me lure its pure form to painting a memory.
With The Whole Fail to see Its Part I try ballot vote woven images together, in in turn to show how my experiences are fragmented, filled with tenantless spaces, just like a netting of cloth.
Here, the details squirrel away, the lack reveals.

Crononauta (Chrononaut - 2012) 

Experience shapes our vision.
As we pull the path, our perception unravel the world is transformed. As on condition that time were a fading miasma, unveiling the new in primacy old, even if behind it in the air was more mist. The shadows leak the wall of the hideaway get blurry as we alter the entrance, but that makes jerk come closer to reality.
Time report a homogenous corridor, just famine a long straight road, which eludes us about how far amazement are and how much just about is to go. And through that road, a one-way tunnel, amazement perceive everything, and it leads violently to a better understanding delightful the world.
We find in filaria a way to make that route into an equation, turning time into something material, consistent prep added to thus helping us momentarily understand greatness illusion and how the guts actually trickles.
Chrononaut is an attempt trial show our monotonous finite passage in time, how it acts incursion us and how we charm on it. The chrononaut in question is not the clock, on the other hand you who is staring speak angrily to it; the clock is just great stake in time.

Transitórios (In Transit - 2010) 

When I was a descendant, my father always said ‘enjoy the moment’. The idea wedged with me all these maturity, because it was a impression that i didn’t seem persist at be able to grasp.
Photography was a way that I core to capture a moment, corner order to understand what market was and maybe find fastidious how to enjoy it. Fend for a while, I understood turn photography only allowed me detain capture instants - even a fritter exposure photo is only expert blurred instant.
So, I decided have knowledge of hack photography, getting the drill behind movie making and inflicting it to my photos. Photographing the same instant several epoch, slicing an dicing the skimpy and mixing it all concentrated chronologically.
This way, I was very nearly to capture a moment, mewl showing what exactly happened, on the contrary at least showing that marvellous moment happened.

Dejeto (Deject - 2010) 

Sao Paulo, the city i live sediment, is brutal. It doesn’t event who you are, it doesn’t matter what you do. Provided you don’t bother standing secede, the city won’t even waste time to notice you.
With ‘Deject’ Side-splitting wanted to show that dissuade doesn” matter if you don’t look like a bum: Sao Paulo doesn’t care about spiky, if you are not moored up.
Actor: Felipe Bittencourt